Thursday, December 11, 2008

1995 Road Movie ”...had been a happy time.” part 1


1995 Road Movie ”...had been a happy time.”

part 1


Paumanok, was the Indian
name, meaning--
“that fish shaped island,”

“...had been a happy time.“ the rented
cottage, a home, far from city rigor,
a comfortable “bum style,”
continuous surf,
through varied weather, the waves

coming home, from the beach to paint
waiting for the afternoon shadows lengthening--
big, vacation like clams, in the pond
just across the road,
what one would wish for,

tossed into the spaghetti and salad,
farm tomatoes and corn
thought we deserved this,
never questioned this
elegant poverty

drinking tea, reading poetry,
a last stroll into the pink
failing light, reflecting bay shimmer,
weird and invigorating rose tint,
gaining back strength

spring, it was the poem
became the world
Long Island had been the hope
yes, “I’m out here,”
but, I wanted to paint the sea--

the hurricane surf,
I wanted to make a painting
wedding Benton and Pollock
like the beach rose for Becky
a kind of intimacy

Jackson, made a beach rose
painting, for a girl named Becky
it stuck in my mind with
the same touch of affection
and foreignness

I’ve been out to Montauk a lot lately
the light house, the beach
surfing in the morning and painting
before the sun gets too high
still I am drawn to Barcelona Neck,

it’s very quiet there
I just saw a group of deer running
along the road, I don’t know
is this natural?
there at the end of the road

is a tree I love, I’ve painted it
in the Sunset
it has a sign nailed to it
about, reporting Ridley turtles
it stands in the sunset


as an emblem, of that endangerment
I’m always happy to see the tree has survived
as well each year

turtles swimming
through dreams--
3 am,
that mockingbird outside

woke me, worrying about this and that,
that rubber boot I found for the painting
but then it never fit in,
remember to exercise each morning
run to the point and back

I made a painting of the back yard
it doesn’t seem much now,
painted the osprey nest,
and the lilies again,
the flowers dying so soon

nothing stands still,
one day I was parked over by the bay
I was reading, Song of Myself,
and had my feet up on the dash, when
bounding across the screen

a big buck deer, zig zagging
down the beach,
its antlers held high, looking
I guess, for a place
to hide itself, veering off

into some reeds and was gone
it’s hard to imagine again-- it was
very fast, something hidden
then exposed
then again, this place collapsing into itself

this suburban crunch is cynical,
painting the beach roses,
they’re almost over now
and turning to rose hips,
I painted the sunset, again

as the full moon rose behind me,
the green reeds in the purple sky
the brownish red of the silk,
flows in a soft breeze
the flag of a disposition--

carrying the paints
down the beach, then back to the car,
I’ve done this so many times before
the scene of my fiction,
I forget, I do it again

the pitcher has blown over
the changing season,
painting a skull, a water bottle and bread
with a sprig of holly,
Paul, thought it from Chardin or Manet,

I was surfing in the Hurricane,
a friend said I should get a job
I told him artists were saints of sorts
and should be respected
for what we tried to do,

who are these people living
in these potato fields,
breathing the spray, insecticide
the wave at flood tide wipes
the slate clean

the mocking bird sets down on
the fallen vase,
the wind quickens
a reddening sky, the weather cools ,
I’m looking for the fish to arrive,

the new coolness of darkening skies
out back here, my studio
painting outside, the hobo style
listening to jazz on the college station,
hearing the resignation

this place brings on, in my voice
sounds like Schuyler and Ashbery,
Fairfield and Georges
like that old recording of Pollock
gone,

god, but I love the good old fashioned
sitting out in the air,
mucking around for clams, burned
and red, waiting till things are just right
this second order of reality

being covered with a third
distance from the dirt I love,
why not a pine box?
I guess I’ll just be burned up
I hear it’s actually illegal to--

spread around the ashes though
but who knows,
it never rained and we lived
outside almost the whole summer like California
the hurricanes roared through

they were fun and we surfed
as much as we could,
sitting at the overlook reading the paper
watching the swell
the waves get too big

the weather turns around
and the wind flattens it all out
the moment missed
Wow! those waves were great,
you know that feeling?

a few beach roses left,
mostly the red orange hips
the lilies are gone and the trumpet vine
out back the candle is
bleached, white

from red, the little boy in bronze
amid some sun flowers
the broken shells
the rope intertwining
the vase

a ruined man hung from the trees,
wading into the pink translucence
Ah! this is where I should be
the water
repeating the old themes, as the gods

did before us in the sky
reading the old poetry
the paintings before
fighting through headache and frustration,
blackness of mind

the neck stiffens, the future ahead
is in the shading between heaven
and hell
the crickets chirping, the wind
in the cypress

the clouds high and crisp blown
ragged butterflies
here, there-- that fish shaped island,
the sky painted blue
the scumbled trees, the water

steeled and sparkling
in the roughening wind
greens and yellows with light and
black in bluest shade
a jet cut through the sky--

striking a nerve, hurting my fingers,
my being strays, I drift from the moment,
I’m pained to stay
as these moments float, as that
boat, gone

and blacker shade,
these leaves
are still green,
and well shaped-- the seeds
are formed to fall

and the air pushes forward
getting out of the car, to paint
I need to make something of it,
saluting September, I’m glad to be alive,
I love all this,

a fly buzzes,
moving along,
the waves lap,
the tide rising,
the wind grows

the changing light, the clouds,
the change enlarging the moment
to feel,
one in all of this,
doing my bit, I’ll soon be off,

looking back
my cheeks warm in the sun red
my arms blond with light
silence, a friendly jab
a nod,

getting dinner,
watching the sunset
I think I’ll hurry, so I
can paint this one
the spreading high clouds

of a tropical weather pattern
will make a good painting
arriving to the bay,
Aw, it’s all turned gray
just as I get here

a fisherman is returning,
I forget about painting
nervous about the city, anyhow
that invisible storm surge
packs a wallop and

I’m tired of fighting it, swimming
against the tide, the surfers are being replaced
by surf casters as the summer ends
big striped bass are lurking
around the point-- I’ve been eating blue fish

all this week, the blue jay out the window
dances and defends the seed
left from the sunflowers, past
painted, hanging on a post
they make a Goya like scene

from the cartoon tapestry paintings,
a towhee is scratching
up the old buried seed,
summer is slipping away
the dove silently pecks in the middle ground

of beige, the jay squawks
creating somewhat of a surface
in that moment,
the airplane drone--
a walk on Paumanok’s beach, drifts

of seaweed and blown foam
the September
wind, the lapping wave
repeating a soothing sound,
staring

blank upon the sand, feeling
a still warm SUN
LIGHTS UP THE GOLDENROD
AGAINST THE VERONESE SKY
OF VICTORIOUS ANGEL

WING CLOUDS, THROUGH REEDS
BURNISHED GOLD--WHITE
THE GLARE!
and splash, the neck-laced labia ringed
wave

slurp and gurgle as
grackles black, in that yellow flare--
I see, footprints
vanishing in the rising tide
Paumanok is spread out, the air

the transparent moment,
the huge sunflower,
BIG (eyeball),
sun on the horizon
puff of clouds,

pass-- pass--
ocean to bay, rising
I’m too-- soon to be gone
and this place will be enveloped in gray
a shadow crosses my face

pained to think, these beautiful colors
their freshness is reminder
of the moment
and indeed death
gives birth to the beauty

we pretend not to mean-- know or need
I turn
leaving my footprints
the moon last night curved
toward the sun

below the horizon
receiving its light
in the blue darkness
two stars
in a wake of shining light

the purple scene
a skull on a red table
green light on the San Pellegrino bottle,
a loaf of bread
the sprig of holly,

brighten the repetition
the bird song, from dark cypress,
beach grass
bending in breeze

the great wind at my back--
dirty thumb covered in paint
carrying the paint box
oh, then I saw these two,
tanned lawn-mower guys

one flying a kite
I guess, they’re taking a break, the other
in the truck still eating a sandwich,
watching, on this beautiful day
with their creased hands stretched upward

towards the white kite
pirates skull and crossed bones, insignia,
a weak shade
from a passing cloud
in the cooling light

the cloud puff,
over ailanthus tree,
the torn poster is gone
well I must go,
the symbol’s weaving

revolving
losing to winter.
the winter city’s, gray,
continuing the fight
in the ever ending,

never resting--
plain and happy,
forgetting, the push and shove,
for ‘my’ space,
“not really the country,”

she said, her first time
out here
the folks are gone,
and Sagaponac
an advertisement,

the old store sold
well, I'm gone anyway,
don’t want
to go on like this

the still-life
lit in autumn night
that wild bird
silent,
not there.

Wednesday, December 10, 2008

1996 Road Movie leaving, Long Island, Part 2

1996 Road Movie leaving, Long Island, Part 2


leaving, Long Island

dead to me,
leaving for-- through
thoughts racing,

the West

a loaded car snorting in traffic, at the tunnel,
that figure silhouetted,
dark, in winter's coat
camping under the hulking Manhattan Bridge,
thoughts of western direction
the Long Road heading South--

the hierarchy of
Art's reality, the returning
figures, ordered places
the ideas--
revolving

thoughts over the falls
spume and dream,
splashing
in the democratic sun
unchoosing

dead blue sky,
indifferent

comic irony puffing by

the sea, the unending echo, repeating,
faster, gobbling up the time
that first day, I recognized, the detached
strangeness
this mind going on in a self

the absorbed pain, the frenzy,
grown to be wary of--
I hated in others
reflecting me
feeling that I had to go--

struggling among the crowds, the throng
crowding the streets,
I walk in alleys, on the edges
nothing
grand as boulevard, I feel just

the gray-beige of familiarity,
radio static in rapping earphones--
childlike Achilles’
black look
the circles evolve

blank upon blank
ancestral void
deeper deep
down, as going
down

then,
a touch to the head,
Thetis, mother
purpose
and swimming toward light

the leaves
elegiac passing
of faint red sky
long winter’s
March
preceding the 'c'
before the choir’s,
song

the thoughts revolved
set in motion
mythos of seasons
heightening
the, singer in the sun
moments,
clearly seen

looking over the repeated
images hardened to cartoon
the sincerity worn, the moment’s
clarity, clouded,
sun, set to shine, creating the

Villa in the Sun
interlocking puzzled, surface, breaking
into myth of
America’s dying into America--

dying and, BANG
gone to America!

and buried in its mountains
and shining through
the radiant light--
Juggled Diamonded Light

plunging

the eye
the first circle
blank upon
and up to light
the mother's face
of one-passing
in cycle

the waning light
eye-- dazzling leaves
the new reality
of change
of every day
seen,
continual change,

Singer of this Sun’s
this, Villa

the look, of what we saw, as
we stood weeping, bare foot,
dying into the space, soaring
into heights
the jabber and blather,

jays
among the pines
western tanager,

framed, fragments
of the civilization,
yet unfound, sinking

starry night
reeds, Milky Way
of black
bright imagination,
bubbly drift
and sleep

out beyond the land
holding all the pieces together--
flying apart in cinematic fashion,
one reality bleeding
into another

Crispin steps gingerly across
the sky, passing in a flash of sun-- the baton,
flowers burning in painted
silhouette, I will go on, the march of artists,
ramparts of vision

past mixed and reformed,
scent in the grass
hatchings, over
hatched, a skull, a spirit like
flung sheet,

obsolete, shards
a stiff wind
the crescent horn
and a star
blinking change
Arcturus

the bee buzzing blown
down the beach over the
tangled reeds,
white burnt etched light
of broken waves striped

and targeted,
seen and
gone
tilting over the wave,
gone.

the figure
in the sunset
a sunflower
brown and ruined
the end flashes
as a serpent
flag
fin

the comic hero
limping
in pantaloons
sagging at waist
silhouetted
in blue
on an orange
stripe
turning
starry,
blinking

back
to the tree,
the space in hard won, thoughts --
etched and scorched, the intensity,
becoming image

physical surfaces jutting
to transcendent air,
necessary fiction,
the gaudy mythos, revolving
down

into Orphic AMERICA
from under mountains,
this mock hero,
this fiction into a historic journey
of the second chance,

the American west, kicking the shards in
dust and tumbleweed,
Sierra in distance, the bird,
out there, somewhere, in the sun
the hoped for future

outer world, stepped out into-- blasted,
that my mouth was opened to sing,
Gregory singing-- ha!
nature darts upon and stings me,
that leaf extending

the tree, picking it up

going on
through
crumbled Villa
searching the
Plains of the Campana
for plain air

that tree, draw it again, the simple nude
leaning, warmed in dappled light


the path, not taken

this humbled beauty,
my brooken beauty

the food is cold,
the place settings hocked
everything for sale


the earth
breathes
in and out
rolling green
in Diebenkorn blue

serpent’s circle of four
more revolutions, rolling down
vale and up mountain in waning
moon and rising
light

the corners chipped-- health declining,
far sighted, no trust
squinting trickster
off into the sun

scribbling
another cycle
to journey through
shards, cluttering

the clouds
leaves
waves
waterfall spilling
silent
spilling volumes
continuing
the swoosh through
leaves

the simple
happy time,
dreaming under palms
watching the birds, flying overhead
the mystery that brings to mind,

where she went?-- gone, beyond me
I make this image,
I can understand
keep, trace and retrace
the greater mystery of the first

idea, the first reality, this second order
culture shuns-- this romantic
mess of impossible lines
shifts to a classical rightness, the
knowable form, that suits us we

formalize this, give it laurel,
wreathe and gold
and nail (to this knowable
tracing) the deconstructed,
mystery left behind

the paintings, stacked in the studio,
a coat pulled on against the chill,
a calm of finality
reality, blanks--
BACK IN THE CAR--

turning the key

the beach rose
for Becky
overtaking
the pounding surf
crashing
on rocks

still waiting for the eviction notice,
“when you asked me how I felt?
was that some kind’ a joke?”
I’m speeding past Long Island onto

the Western dream

reeling in gold blinking emptiness,
trekking Brindlestint

stumbling in Nevada’s dark parking lot
helicopter spiraling
in space

past evening
down
the arm swings down
another cycle
the arc
the rising sun,

made in America,
the model struts ,
shoot and blinding light, cameras, Vogue pages
flip in glare of
Road Movie,
bar and glitter

one armed, slot machine,
bells and whistle-- ongoing
Indian morphs to coyote,
tramp in a can
motel stories

mattresses aflame
through gasoline flare,
road trip
with poets, ha!
out on the Plains

giving away our belief
to own anything,
but the “pressures of reality”
a different war
the rifle butt on the door

our own individual end
for the common good,
the poem, a sheath on the floor

stomped on, stepped over,
and blowing
out the door--

once each day,
the paper and
forgotten
wham, bam--
swoosh

the sunflowers
continue their cycle
spinning
into the western orbit
of tanager and blue
imagination
the western facet

deep within
mountain
origin
the finality
ending
fragments
thoughts
the larger
poem
an earlier cycle
the flashing light

jutting from this
confusion and frustration-- the shard
of resentment sticking out from
underneath, the cross
dressed figure

on stage, spot lit--
one becomes the other
symptoms of overwhelming number, over
produced
the perverse, exaggerated

to no feeling, backward role in wig
and bra,
the satin negligee, smeared
lipstick, ringing mouth
this dream
began with cut fingers

the severed limb
stopped, frustrated,
more guns

the ever spinning
out of gear
world revolving out
wobbling
axis

the green tree, poster torn, turtles lost--
same tree in sunset, blazing light

the despair that started
this nightmare those unending
evenings, in the box
cooking dinner
the pasta

cardboard tomato
the knife, another evening
to meet an exhausted body,
though, still painting,
more paintings, to leave,
in dreams

weird and with comic speed,
knives appearing
Van Gogh, recording the moments, the slow
blurred flowers that Picasso carts away, minotaur
and the melted DeKooning, the sincerity

of heroes, Jasper Johns is tracing
to remember, becoming the saddened
figure betrayed,
the system rotted
the height achieved,

the painting’s fragment falling,
to fashion beat,
to flip of the hair,
the runway lights
Naomi’s butt, god-- dess!

running forehead into
the bent No Parking pole,
the tarred animals hanging
in a nature of doom, falling-- revolving carousel
through facets tumbling through

a realism of cigarette smoke and
packaged smell through drunken fog,
unclear, confused, up whose--
stopped short of goal,
moneyed sex machine for

starched shirts and lame dress, raising
the crystal glass perfumed, pinkie ring
and good manner,
she wants, he wants
repetitions into patterns,

formaldehyde starling
steeped in coal oil hanging, from a foot
that same squawk--
mantra
repeating

sun
on the bay
Paumonak
sand and snow

far off
the Clark’s Nutcracker
flies from a pine
(something of a Prince)

things called up
in everyday routine
ordered
into a world
still repeating

my own symbols,
my own life,
of this place,
Siddhartha meditates
to Buddha stature, teaches
the change, spiritual radiance

I go for refuge to the Buddha
I go for refuge to the Buddha
I go for refuge to the dharma,
someone else's song, wheels
turning, I go for refuge

to the sangha, myself to
the community
world,
one,
the whole difference

and
gone
beyond all images, gone,
beyond the power of
all words

Dharma bum, Rudy amongst bottles,
do I believe in God?
a difficult word, believe-- “I Know,”
my studio rent--
a tin can for beans, shot out

arcing across the sky
the surrounding silence echoes,
the desperate motif
one does not plan this, something happens,
fate of furies, eaten out heart,

just wanted to camp, reading
Rexroth, a beautiful poetry, reading outside,
bringing along
Kerouac and Snyder, Ginsberg
and that fellow, Witter
Bynner from New Mexico
to read Chinese
poems, poets singing of--
Jade Mountain
mad in the mountains
wedding the west, to beloved
Snowman

skull and table,
the red table
reeds burning
sunflowers overturned

the Comedian enters,
stumbling through washboard of Nevada
desert hills
continuing one after another

“who is my audience” he asked.
“Or do I think it is?” out there, in here,
out there kicking
through detritus of what’s, left over
pot pie for dinner,

a video of Zambriske Point
the second order
to fill the void,
between stopping the onslaught,

cracks, with paint
copy ourselves, to feel, copy a place, to be
no place, “to be”
the second world, built on top of polluted nest,
used home, of pigeon’s shit, and six pack loop
looking for answers on high,

to what question?
forgotten, thousands of years of asking,
“no Reply” giving up hope,
forgotten question,
answers float, tattered prayers

flags in crisp blue air,
mountain height
the answer,
maybe stories, we have made
wondering about the millennium,
in 1996,

I'm already-- past that,
my Singer,
Singer of the new reality!

of heavens
falling
and time
always a shard
here, there

the cycles flashing
faster, faster
a single day
containing
sun and ash

nature’s presence
spring, is here is alive
and full, colorful

keeping attention
evolving, another word

a
moment
cycling
revolves
crystal

re-dreamed, the gods echoed in the sky,

become that tree!


the oneness by copying,
we becoming it, one
to be one,

breathing with these
cycles of universe, copying
becoming--
“and to all these who sold out the
imagination…,” he was unsparing, “”...who killed

the red headed bird?”
“give us this day our daily death...
...that we may learn to live”
in the general apocalypse,
of Atomic Cafe, warning and preparation
Debby’s 1960’s flower powered

concrete bunker, now swimming
pool, down on old Front St.
that dilapidated neighborhood,
emptied in winter
the spinning, repetition

vibrating and vertical
collapsing
darkness of possibility
flowers breathe
lungs of beauty
from reduction
to fullness

after a while
it was too much, withdrawing
into the poem
is all too much--
gone to the woods

still searching
an answer,
“oh, what I fear is the answer.”
the naked
hidden, love unspoken,

strange reality, that Religion
fright and superstition
TEAR IT ALL DOWN
what is the poet
doing for himself here?

Spit on you,
In Fear
and Hate,

only I this avenging ego, Know!

I draw my coat around--
the snow, following a road
the desert, I see nature

and the wind “cries Mary,”

POWER! of the Sublime

in the fading sun
advancing beyond

winter in a new dream,
a springtime into summer

the NEW SUN's blinding
light, the thrill the excitement of the Vital I,
SHIFTING IN MY SEAT
always onward,

then, the long decline
wheeled along in weakened sun,
knees blanketed
ever to achieve height, again?

to see anew--
fear
undulating in the night

What we felt
at what we saw-- looking
a hamburger helper for dinner,
another cold one on the table,
pissin’ in the wind

no degree to present,
no right,
a walk in the world, to name this self
renaming it,
this self, me

not me
conscious me
unconscious me
real me.

Tuesday, December 9, 2008

1996 Road Movie On the Road part 3

1996 Road Movie, On the Road part 3






Pop Pilgrim into the Comic Sublime

rabbit shape evolving into duck
overhead in the streaming clouds
dime store Indian tumbling,
myth into papier mache
Pecos Bill

fish jumping up stream,
and that house crashing down
speeding down that
Lost Highway
“my own hands carried me there,”

highland clouds
fast moving time exposure
in black and white,
spots of flesh
frenzied mind waking

up in, sleazy hotels
alienated places, western,
abandoned dance hall
for painting studio, thrift shop--
type life,

short order cook in the desert
writing poetry,
have to have a gun?
and a soliloquy-- Hamlet type,
tossing fag end into the fire,

the coyotes howling
at tin trailers,
the fashion model paces,
the old flowered couch,
the train that goes by,

those two guys
always fighting, action off center,
a drink offered in cap from
a bottle of Tiger Rose, a guitar
and rolled cigarette, asleep

in lawn chairs, back on a lonely road,
falling asleep, robbed, left for dead,
someone puts him in the car,
and drives off
the end

of the 20th century Fox, ROAD MOVIE,
speeding past, Uma Thurman
and Matt Dillon, hitchhiking, the
LONG ROAD, ahead the sun in the mountains,
I can’t go on, I will go on, End--

game in the desert
the model limping down the highway,
long shot of that shot out tin can of
beans-- thrown up, again and again--
shot through-- Vegas,

vroooom, rattle and shake, snow and sand,
a tumbling house,
winding through the silent
mountains, the hawks scream,
the crows call,

the lark up high, sweet song
into silence,
James Dean and Jackson Pollock,
enter
this Romantic, West of Moby Dick,

never getting it right, a Run-a-way Train,
Benton and Brando,
the animals and people
weird juxtaposition, like in
Florida,

leaving Long Island behind,
drunk and hopeless, starting for the west
saintly as saints be, “Aw, ‘bean
sober all this time,” even worse--
the expanse of Mojave

Desert, the Sierra,
Mountain, the Pacific
and Big Sur, the sun in the west
camping against the wind,
a dead pelican,

spread in the sand
the large mountainous coast piled up,
the fog rolls in
toward the hills and we, dharma bums
reaching heights, flowers

in fields, the Indian paintbrush, butterflies,
waterfall, carrying
thoughts away-- like wind, Indian designs,
mysteries woven in
blankets, wrapped in crystal silence

shimmer of stars, wind blowing past ears,
rusting car, machine gunned
holes, another drink left untouched--
cigarette stubbed out, years ago
a wilderness

of survival, death and sex, life lost and found,
in desert home
the three legged dog,
the scene through a telescope,
looking backwards, big red bow

on the pretty model,
still limping in high heels,
lipstick smeared on high-way 64,
leopard skin coat and pill box hat,
the Heroine,

the nude in sun, the soft blending of
light, sleeping in
warmth
the shelter
of this goddess,

bosom of nature, discovered, and
come upon cowboy bum,
innocent strut and stylin’,
La Strada’s, Juliet, hidden beauty--
this Oaf

insensitive and all coyote
howl and snarl
Achilles/ Fire, big blaze
on the beach, Mexican extreme
skull and sunflowers,

signs fallen and crumbling,
planting flowers along the way,
a make shift still-life of sorts
the skull and a bouquet
on the movie set, painting,

the pictures, moving
painting out of doors,
the plein air masterpiece,
the dogs,
watching waiting, nervous, marking

out territory, deer sniffing the air
skunk, waddling
on its way, scorpion, in the full moon
spindly shadow
whooping crane dance,

the sexual scene
the violence of the world’s politic,
race, gender--
preference, this weight of reality,
death becomes her,

brooken beauty,
mannequin head, arms
and legs strewn, black bra torn and knotted
gingham shirt, the thrift shop
cowgirl hat and decorator boots,

the flames fanned, scorching Fred Flintstone
rubber mask, in black and white
video of robbed 7-eleven,
hunched on thrown away couch and
smoking campfire in a barrel,

a gold frame,
framing nothing,
hung on the chain link fence,
a torn poster of
the models on the runway,

strut, strut, in Nazi repetition
dominating,
piss images of those
drunkin’ bums, out beyond
the tent, that vicious fellow,

watching ,
the trembling refrigerator box,
dog or
some other animal? looking on, sniffing--
bluesy sound

smoke drift
and waterfall
tumbling

the democratic man,
bearded one, standing o’er
the scene, spokes radiating,
fashion shoot overlooking,
Manhatta--

butterflies, the fashion model’s tears,
“...it could have been
different,” not quite, what one would
have liked--
whooping crane, flies

coyote looks behind leaving,
deer leaping through
car out on a cliff,
revolving shot
advertisement for my soul

Bang!
Tell them-- I'm off to America!

dark
to light
stripes
coming back
on themselves
as serpents
to form
great circles
in a vacuum
of air
the abyss--
at hand

dusk
elegy to light
realization
of the moments
in the garden
the moment
classic
colored
points
to abstraction

in the sun
the jangling diamond

out west, camping,
lending the mountains a story
and Buddha on summit,
cross country speed
in Big Sur blur of wave

crash and boom,
Sutra of sunset
and flower heightened,
moments, flee, the
empty character in the trash can,

white cartoon eyes in black
shadow extending, the
Okies traveling, rutted--ed dream of
America’s
second chance,

the last coast, hung up in the night,
Odysseus, on the road,
the Niagara pouring
mountain peaking poem,
river of soul

wandering bhikku beat,
spirit trip, Indian journey,
living on the land,
hiking in the mountains,
one vast book, of the lost

generations, writing straight
through it all,
painting across America,
at late moment, people float all
are in heaven,

the Apocalyptic end
returning, the naked kid,
chanting in trance, ecstasy,
a returning shaman, Bardic-- magic,
from a sublime tradition,

come down to us
tramping in winter coat, the trash
of deserted places, looking up to the cold stars,
the comet, hitting Saturn or Neptune,
I’ve forgotten which--

if it was a comet? anyway,
celestial apocalypse,
tragedy, catastrophe-- we loved
the world, in our ways,
we believed the world,

could never end,
what evil would
cast, such rumor of demise
meltdown,
watching the end

on TV thinking
I’d never go home again, Mom died,
soon after that, the red flashing,
slow and steady, on the cooling tower,
dandelions grew

long fingers, feet long, and
strange things began happening
to the frogs, everything went on
the wall came down,
the rivers were cleaned,

the population continued
to grow,
women had sextuplets and cheered,
we kept out of the way of conflict,
believing nothing,

crowded out of everywhere, nowhere
to be-- no room now,
for a painting, a picture on a wall,
beside the flood of
transparent, flash,

attached to our eyeballs, lives
before vision, flashing,
snaking, fumbling with weird feeling
genitals wired to images of 1984
here today-- and gone, tomorrow

tomorrow the big bang,
whimpering, in the corner,
a pillow
over ones head, sobbing, we just go on,
figures marching,

toward, a purple ideal, grayed
smudge,
dreams given, to a
new pose,
dragged down HERO--

paint?
I look back to daffodils,
the remembered poem a reflection
in tranquillity,
but I’m on an edge

I won’t quit, on--
on, the WESTERN RANT, the Wandering
Diatribe,
write on, another painting,
workshop between Heaven and Hell,

Sunflower Sutra,
a vision of Blake, vision
of a world, another round, diving to depth,
painting on the beach
against the wind,

the clouds gather
the eye, the first horizon--
from my roost in the forest,
overlooking the lagoon,
blank

square
looked into
Zuni
repetition
sky flashing,
dancing leaves
the sunset,
revolving towards
a future,
of past,
present,
future

some
introduction,
invocation
the muse,
through ritual--

the “c “ before
the chorus, the
coming alive

revolving in crystal
bloom of
seasons mythos
stepping out
into the sun
the Singer
of the Villa, at height
crumbling
idea

moments blown
down the road like tumbleweeds
this look of
what we felt!
symbols crash and burn,
the Stuka’s screaming
dive to firestorm,

questioning, my right to go on?
trying to raise some sun

PAUMANOK WAS THE POEM!

a western shore
snaking,
last coast

“Go now!
--wandering!”

Monday, December 8, 2008

1996 Road Movie, Road Rant & Buddha Rambling, Part 4

1996 Road Movie Road Rant & Buddha Rambling Part 4






the world
revolving
blue green
in a sea
of black--

the stars

I’m trying to continue my poem
and I have to move, --again,
I just pick up and go,
they say, an artist’s life, felt bad, but even worse,
I’ve forgotten already--

used to it
this city? push and shove
anymore--
my neighbors ‘hello’
on the stairs, I shun--

can’t pay the rent, can’t afford
to store the paintings, I’m
on a down swing, up, then down,
rarely a middle,
get a job, they say

OH, BY THIS TIME I’D LOVE
A JOB, I SEE PEOPLE AT “ONE”
WITH THE WORLD
EVERYWHERE I GO
they have 'a job'

me, mope,
the rest of my life,
for a lack of belief or beauty, direction
or order, the game, all the above
at once in differing forms according

to cycles, in some office, warehouse,
someone else’s life, to conform to
“Long Island had been a happy time...”
that guy leaving--
is back as my mind’s eye

into the orange
sky turning red
blue clouds
evaporating
silhouetted figure
black
leavings

for umpteenth time at this end of
this blazing 20th century, our century, left
to us, parts of the world, fallen
from, I make my way
OVER THE BRIDGE, to the es--STUDIO

and when I say, I, I mean you,
HERO,
yeah,
“talking to myself is poetry,
talking to you is politics”

continuing the chant

the light
comes and goes,
bellows breathe
earth revolving,
flowers bloom--
in and out
the rhythm
dark and light

crickets rhyme, a Chinese line
of Emerald Mountain
between blue and greenest, character,
flavor dreaming mountains, a turn,
nature’s simple truths, live,

describing sun
that disappearing Asian scene
the peace, cloud in the mountain, river falls
and winding valley,
at the Metropolitan Museum, on Easter Sunday,

I usually plant
Sunflowers to bloom in June--
Oh,
I fought with her over the house
my own frustration, psychic break

I lost it, my mind-- Long Island--
that house will never be
a home--
well, I was privileged to be there,
I own it in my head,

no one wants to know, I owned it
in a loving, way,
I’m out of it, out of sync with
the destructive mania for mall
and strip, my Jade Mountain

sped by, my discovered
Chinese new world, in seasons,
a poetry and religion of every day,
Buddha ideals
make them up,

Buddha sounds,
Good-- She's a Buddhist!
Yes, of course
a good one! Zen shadings,
sit still--

My Ramayana
of Guler, Punjab Hill
Hindi Doll, Krishna
Blue man
Buddha boy


Hindi, Disney,
partner by eye,
aesthetic shimmer
simple stylish shape, color, line
a simple light

in dark-- breathing
watching lotus
flowers bloom
elegant cartoon
in the abstract

connect to that tree!
growing from the root,
in earth
all styles in one, cycling, another
Achilles/ Fire,

lashed against the wind,
painting on the beach
the canvas flap,
my fractured
hero--yo-yo

yeah, died
and went to heaven
over the top, the century goes out
rosebud on the beach, breakers
in the sea, fragmenting the space

mantra
spinning into night
ideas falling to earth,
the robin on the beanpole
flicking its tail at the change,

what spark? the gods do it
before us in that eternity,
flower --bird
floating world,
MT Fuji presiding,

like mind
off in Himalayan Mountains.,
Kangra story,
the temples of eternity
repeating Navajo Mountain

world of shadows, silence falls
selling the books--
then, buying them back
one by one
poems on tree branches

blowing, prayer flags
blowing through cycles of life, a blowing,
blowing,
wind chimes, writing poems, nature
captured in sharp abstractions

hammered to forms, out of thirst,
HA! Get a job!
teaching bureaucracy,
I can’t even spell it
separating--


what reality would
one teach in this concrete building?
leaning, out west free
to make myself,
the raw material,

to make a monument
of a newer west,
still unfound-- good man
that is the good fortune, the unfinished man,
this romantic--

they didn't like the new paintings,
they where tied into everything
I experienced and knew, all tied together
my string, wound
tight into a ball, and a silence--

so hard to perform
in this vacuum, the wind blows,
no page flips
the desert in winter remembered,
a Florida breeze,

fanning, wooing the pain, Long Island
flickering light says good-bye,
looking for a piano box
by a banana tree
one foot in this world

one foot in another
thoughts scattered
on the ground, I love,
the poems
blowing on threads long

lines of memory
strands of DNA with (no?) particular
thought out pattern
something happens
seen, reflected

across the path
black and white flickering
a distant warble
stopping --the oriole
bright bird

Round as yet round, my dreams,
circle a withered moon,
the ancient fat man, the scent
of chrysanthemums,
ongoing, black and white

diver
page after page
figures here, stop
figures there
moments in time
every day
conversation
water from falls
a tea ceremony
to beautify--
detain the morning
moments

hours-- days-- a few lines
out of twitching
anxiety, throwing a pot,
a scene and stripe
so many mysterious theories
of beauty

Utamaro's home, Yosemite falling--
those dharma bums,
like the mad Chinese,
Cold Mountain
those guys at Sabrina basin

at Big Sur, the Birds of America,
Hokosai and Audubon
gita-sutra, Zen moment
sitting at Glacier Point,
little golden Buddha

to represent something, else yet still--
100 years of Endo push,
flowers and blue
hidden Pahari histories,
the unknown artists

mixed into a different stew
repeating archetypes
of different seasons, new beginnings
a fall
into edenic possibility,

this, journey to the west
this, self against the demise,
fighting battles
in the sunny blue
plunging to winter dream,

darkness falls, struggling
in wild weather, mud in spring and
ideals of the sun
attained all those journeys
seem as one

Wallace Stevens went to school
with Wynner Bynner,
studied Oriental influence of the time
even then-- superimposed
over our, American grain-- clumsy

Babe like Ox image
of sunflower, an elegant striped
bee on bloom and
parasol, the green cockatoo! I turn
from Palestine, the aesthetic of grim

Christ! our artists are religions
here, I compare,
as net of gems
western dreaming
jettison, Achilles into possibility

sneakers crossing America
a walking stick,
Jay head,
reflecting diamond

purple night
revolving to
dazzling noon
ahead
diamond carrot
blue imagination
cloudy silhouette

mountain range
blasted tree
into waterfall
the grand themes
clear and glowing
meditating

Japanese western
before me, Vincent’s Japonisma
of ideal southern flowering
spring arriving,
decorative bridge, a style of line

and design, a cropped Iris,
and broken line
surrounded by black, we dance the Shiva,
night and day
around in rings of fire revolving

flung, changing through
highest heaven
through deepest night
hoo-ray
hoo-hoo

OH, YES! the thousand dollar resentment

God damn you-- did you eat those sweet clams?
13 thousand dollars
did you step on that slippery eel, feeling with your toes?
13 thousand dollars
did you see the osprey’s first flight

in blinding reflecting water light?
13 thousand dollars
did you catch the purpling royal blue at sunset,
watch the stars imperceptibly appear,
the mocking bird by the porch light?

13 thousand dollars
did you throw the stone with aching heart
at the same bird singing
of it’s love, lost in the waves?
13 thousand dollars

did you love something, and watch it die
leave, like your mother’s face
13 thousand dollars
are you writing a poem, making a painting? It went on--
13 thousand dollars
something like this-- did you love it as me,

show it in so many words?
13 thousand dollars
13 thousand--
good, fine-- I love you still, as I love that place,
like the land,

like myself dissolved, those
13 thousand dollars
how many people forgot that place, the
13 thousand dollars

no home to love

42nd Street
Beekman Street
Walker Street
Church Street
Jay Street
Prince Street
Mercer Street
Mott--

all these people,
lists of people,
want to help me, love me
“Yea, call Angus,
he’ll get you out.”

“Orioles in Central Park, twelve of them in a single tree, 21st of May”
floating down stream
revolving autumn leaf
Guernica

sublime monument
for tragedy of our century, Stukas diving
squeal-- out of control,
“the dripper”
endlessly rocking

One

Long Island beach patrol
streaming beacon shining

Vir Hericulus Sublimis

wanted even more
standing there in front of--

with
Roy, Ajax and Achilles
ready to go up against the wall--
I’m off hiking mountains in the Sierras
trying to forget-- with Japanese poets--

drunk and singing madly
“vomiting the universe
vomiting forth my misery to be”
nauseous serpent self
a huge cartoon religion with

Mickey Mouse god
3 heads and six arms, killing buffalo
demons, “vomiting with anxiety that I was
not a separate self, but the same as every one else,”
“ they were all imaginary beings uninvented

for the fear of being myself”
TV’s images of dark angels, light connecting
us all in a comedy, darkening to tragedy of
our controlling and cajoling
what we think, songs of sex, religion and drugs,

children of the 1960’s
rock and roll
searching for a peace in poetry, hippie surface
of the whole
traveling the globe, for any answer,

My India,
wheels within wheels,
don’t cling to it, beauty and horror,
passing-- moving images
on planes high above,

trains speeding through
bus bumping along
chickens escaping-- fleeing thoughts
“death haunted India, to well oiled Japan”
my experience is yours,

my heart, my guru,
pluralistic pop
amid snap
achieving
that, unity

waving to President Kennedy, a sun tanned hero
in flags and confetti, this cute crew cut kid smiling,
anxious and swimming into life,
Dylan song, through
montage of flaming creatures,
film whir of Empire State building,
magic buses, bumping along country roads
with Thunderbird wine
--escaping
to elevated thought

“the blue jay stole the fire for mankind, passing
it on-- accounting for the colored birds,”
the journey we get is the journey we are ready for,
on the edge, jumping out--
decent into belly of the whale,

Jonah and Pecos Bill, bucking
the bronco, into the unconscious water
conscious creature in water darkness, to threshold,
cut to pieces, hope of resurrection,
before we’re eaten, back to live

in the system, protected from
the nature I love,
spirit out there, now

far
Hero--
out there the magpie
trickster
flies

lightening flash
standing up unafraid, I will go on,
“Oh, I could not
do that!” SAVE YOUR SELF! --slaying
the dragon fear

the light
striped and
patterned
a center,
revolving in crystal,

conscious Gaia

the waves come and go, the earth
seen from space,
a light, whole in the dark
the dark feeding the light, how?-- even
as I write this, I am still unwillingly attached

to the Christian ethos of
shunning the dark
“this am I” feeling it--
masks of god, the feeling of eternity
opposites of time, the breathing--

transcending duality, beyond good and evil,
the apple, split
between ourselves and nature, man against god,
nature is fallen against the divine,
overcome deeper,

brought together, GOD against nature,
nature cannot be evil, “I have poured out for thee
from myself” Know this, greet the divine, see
the divine in others, I am this creation, throwing
this off, I go on

the snake gives life, the refusal to except
the divine is the world, how does one say no?
eternity is now, thinking stops
this eternity, then a sway to opposite thoughts
of eternity in death, thinking stops death

the functions of life, are these
contradictions, multitudes
nightmares of loss, I try
to wake from-- the mystery which I am,
within, the heavens and hells

all the gods
the world
the poem scribbling
in my head
revolving, I repeat

“do not cast out the devil
lest one cast out the best”
“the central mountain is everywhere,”
“the still point,” of turning, a shape
whose center is every where,

we are that
mystery, but who will speak for us,
I will! I will!
try-- the birds flitted
and sang, so we can

“all life is suffering and pain
but by god you are alive--”
on the edge, “he can’t go
through life doing what he wants!”
One who knows,

he does not know,
womb to tomb
burned for rebirth, the seed
in the furrow
patted between hands,

a birth place,
this sprouting up, this sunflower
tic toc, tic toc, born
dies, in out, breathing
Brachman, flame burning

away time,
becoming this
O
OM is here
a birth

OO into being
M resolution
OM silence
the stream
of the present

modern, close -- fast moving
clean, sharp edged, objects speak
for themselves, the blank,
no order, modernist gems
float in a rubbishland,

mumbling to my self,
introspective voyage
jousting windmills, over hill and down valley,
I speak to America
from podium of self

drawing, drawing
now a smudge to
dream-- another round,
Oh, the beauty of the
smudge--

itself, on my nose and the distance
in my head, juggling this world,
balancing
civilization among the birds in trees
from-- he made a world

of the beach rose
in mind
of a summer's day
for Becky
Jackson Pollock painted a rose-- I read,

these black lines
bang to surface
like frame
of deeper space
death’s relation

to beauty--
of here, framing death, of there,
magnifying the moment
a copy, blown up, traced again,
the shape becoming, then

always beyond
Charles Chaplin wandering priest,
beggar poet
mountain hut
lost self

back country
dead at 37?
dead at 46?
cold mountain, no path
Sunbird, Soulbird

dead man walking
mountain
camp in stars
and falls
trees
beyond age
towering,

yelling across the void
madly singing
Krishna, Buddha, Walt
all revolving
gulping

after the formlessness
speeding
through
sparkled spaces, one with the stars
walking on

through shattered bottles thrown
from speeding cars,
fuck you, we yelled
WE LOVED THE WORLD
so threw wooden 2 x 4's, from overpasses

at oncoming cars, sped deathless on
motorcycles, bumped through roadless
mountains, driving our heads
into dirt and through dry heave,
through headache,

stifling heat, face down in Louie’s
cracked, plastic covered foam, oozing car seat,
Ford Fairlane
a bird sings, with
no one to reflect--

or respect, we are not heroes,
all the poetry had been written,
all the paintings, painted,
we plead for gods,
to show themselves, modern poetry has

walked away,
it is, frustration turning from
hope, any belief, no game to play
no answer to seek,
I push forward and am cut, limb by limb,

not wanting to stick out
another to be cut, to be violated,
pursued by guilt-- dragging a rotted fiction along--
making plans
for cross country

Austin, Santa Fe, through
Las Vegas?
to LA

the Sierra trip through
Deep Springs in Nevada silence--
make another trip to Yosemite--
Santa Barbara?
Point Conception

going through all the places, people,
rehearsing the story of California
the Big Sur
Yosemite monuments
the desert Mojave

SB and LA
New Mexico,
the old west like, my movie,
ROAD MOVIE
WEST of

MOVIE/ DREAM
SECOND CHANCE
the homeless guy
no name, over there, black and blue
in the shaded corner

watching, poet,
artist of sort,
voyeur, out side in weather
and 8mm film, video, seeing a different way
moving again, tired of the lists,

making it all up,
let them call me
they won't, “I’m alone here, --we all are”
symboled road,
gone again

getting ready to leave
setting out, again-- I’m
selling the books
The cottage was rented out there
thirteen thousand dollars.

to think
the style was anything, belief--
wall paper, we love it!-- wall paper!
expound and theorize!
I’m stepping across America

through daisies,
the American Grain, Davey Crockett,
Blue Man, with bells--
blue Jay way,
head full of diamonds

and black sneakers
planting sunflowers, oh my beloved
Crispin, friend, tending the birds
Chaplinesque,
a butterfly net in Toulomne Meadows,

a fool for art,
here in the mountain air
gone fishin’,
insane muttering,
across the silences

the nutcracker,
Prince
flies chattering
scolding

the waterfall
drowns all
to sleep
in the sun

who cares?
what's more real
a gesture--
a copy, simulacrum
I’m out in the trees--

It’s all there is!
I haven’t even started,
but I needed to hear myself,
say it

to know it.

Sunday, December 7, 2008

1996 Road Movie, taking off, Part 5

1996 Road Movie Taking off part 5

taking off, through sheets
of Hurricane Bertha,
wind and streaking gray, then arriving to
an almost hideous green
everywhere

addicted feeling
harder to leave,
the city becoming
the meaning,
carrying me through, arriving to,

Pennsylvania
Oh, yes, again I’ve forgotten, just
how Beautiful
this luxuriant dripping, green-- is
and sinks me into reverie

of the Yellow Breeches Creek,
elementary stories,
the Indians and Hiawatha, washing
in the stream, coming out with
yellow breeches,

the waterfall, and memory
of a smell, the crayfish we caught
with sock protected hands,
in crevices of rocks, we stuck our hands
into, my head is awake

to these first loves,
nostalgia slows and but, maybe another day
I'm off
I shift in my seat, still remembering the
feet dangling, fishing

ordering, the ideas set
beside me, to become
agon, to fight
at limits of strength
at heights, sought

the hills steepen
and back down through West Virginia,
that old feeling of back water,
steep slate gothic roof
hill to mountain, old red and gray,

brick and granite, town’s churches
and state buildings of the beginning hopes
gray and blue Pontiac, Oldsmobile,
working class Ford
a box turtle crossing the road, messenger

like Benton illustration for Grapes of Wrath
it’s head up
prehistoric relic, two smashed so far, one day
there will be, none,
their message lost,

the Mississippi, and images of Huck Finn,
100 years ago
I'm arriving to Arkansas, a place I’ve never seen
or dreamed of, a surprise,
a swerve on the road

there they are at the end, waving--
the pavement turning to dirt, waiting for me
I’m buzzing
from the road, and the cicadas deafening-- that every
thing is alive, the negative spaces

alive and shimmer
this is scary that I could be so far away from this
vibration of life, set apart from that cultural hum
a woman on a porch
swinging past dark,

a full blooded Cherokee in these parts, staring
into seeming empty space
we huddled on the split plank,
seats and log for a dinner table,
I tasted the connection to the land, the garden

outside, the stars were
right there! a star shot through the space
Steve borrowed my flashlight,
I stood alone watching, the light flickering
between the wooden planks that made an out house

the cicada wirr set me off through the night--
early, a rooster outside the van clucked, directing
hens, marching out into the morning mist, as the sun
hit the top of the adjacent hill, goats sliced obliquely
down the slope, bells tinkling--

as a large tom turkey arrived, puffing a blue gross
head and gobble hanging, hissed and puffed,
the young birds ran
someone was getting the garbage out to the pigs,
some geese made a fuss,

I could see bass minnows, their striped tails
flashing, darting around the pond, as shafts of sun
now, beamed directly on our shoulders,
wiping my forehead, we talked about the heat
to come, we still were talking about breakfast,

as we finished chores and now it was really hot.
Guinea hens led us back to the house
as they fought over grasshoppers
we all had our sights on those pancakes
loaded with blueberries,

traded for the sweet potato seedlings
we just planted and raspberries, and honey
and butter, all from the farm,
a king fisher chattered, high over this idyll
unfolding in the sun,

diving towards the scattering fish,
a snake wriggling
through the mud and flickering
sunfish gems, that powerful smell
that muck stink holds, the childhood flooding in

as I found
myself escaping,
itching to keep on, thinking
of my larger plan,
in retrospect, re-seeing
the wonder of sunny pastoral

passing through
speeding into the night
excited by my adventures--
but poor planing in the real world
found me sleeping in a truck stop

on a hot Oklahoma night,
passing trucks and headbeams
making elaborate shadows
across my eyelids, air brakes
woke me and sleepily

watching the many stars and
brightening sky
I was off once again
on my repeated journey,
the trip becoming familiar

things seen from different directions
different weather,
the changing daylight, I came across
a lake I could swim in
and that was my bath,

I’d looked forward to since yesterday
windy and blasted by sun, I slept in
an oasis of trees at a roadside
KOA, on to Texas and dreams of
Indian design, paintings floating

through my head repeating the story
semi-- realized,
keeping them alive
caressing them
with thought, over

and over,
the mantra of progression
excited by visions of newly seen landscape--
spaces and colors
a line weaving through

kept in order, they proceed,
in spiraling fashion, style
in cycle, dreaming winter
thoughts, attaining spring
and summer height of mind

falling
into autumn,
to depth
of winter
spiraling form,

country music on the radio, out of state plates,
through windmills, my poem
becomes the song of lonely spaces ,
yearning for love, the connection in the wind
headed into it, south from Texas into New Mexico,

the west, incredibly--
as I cross that invisible state line, crystalline shapes
and cotton candy clouds reflecting earth, red
planted in green, turning to prairie
grass deepening into sage, thunderheads

beyond covering mountains in distance
anvil like cardboard cloud,
pinned to flat lonely space, varoom, the Greyhound
bus to Amarillo, passes in black smoke
and I'm left,

Santa Fe train, a B-line into the distance my spirit
here enlarged, nothing like it,
Arkansas woods are interior
compared to this New Mexico-- space
and lonely wind, following the long march

of Katchina looking power-poles, a raven swoops
surfacing and the sinking,
butterfly stroke, swimming in this bottomless
lake of saline solution, unstinging to the eyes,
surface and sink

heavenly body of water,
immersed in my journey
leaving behind inside turning
to outer space
dying into this land, free

a soul left out flapping,
wholly bodiless
in the sun and wind, clearer again than I
could remember, here remembering
it even as I see,

the wider spaces, grasped
MT Gallinas read the sign,
I’d been here before
Mountain top, the Here
to reenact as the gods

before-- the moments,
memorial, monuments
to drama of the seconds, arriving through
breezy pines, the mournful sound,
in a down jacket

at this height,
watching the glow
of the sun,
a fingernail moon
thickening

across the way, above black mountain
bands of orange and slate,
Albuquerque off
in the distance, scattered twinkling,
through ranges of mountains,

sleeping and awaking from one
dream into another, there
had been a fire here, hit and miss,
looking like an excuse to cut the trees,
green grass and purple lupine returning

in black earth,
no birds like before, looking
for that western blue bird
that sat so inquisitive of me,
and the beautiful evening grosbeak,

I’d never seen one before,
now just this wind ongoing--
who's that behind
me feeling, the frightening loneliness
spreading, as

a paperback book, The Navajos
flipping in the wind, seeming silly,
there! a bird, off in the breeze,
I’m still shell shocked
from trucks rumbling down Walker St.,

dodging the bums,
pissing in blackened doorways,
had to just believe
no one is here, no bear or anything even
the deer gone,

like the Mediterranean’s crystal death
the looked for, story changes
unexpectedly, and there is
no story
one of loss, the last time

I was here, I made a painting
watched the deer and birds,
now I’ve forgotten
and no place
to remember,

vanished,
I don’t even make tea--
I’m off into the distance speeding,
speeding through wwww's
of Indian design, the jagged clouds

continuous into distance
rushing back to city time,
airport stores through reproduction
blankets, bowls, and baskets,
trying to rush her off

to my new world,
where as Indians we see the birds
make design and shape, make the place
come forward
to own to hold in our hands, spirited thing,

I wanted, desired to
become the other
we had the smell of fire on our clothes
crawling into our sleeping bags
waking up in the dew

the crisp high elevation, stretching and becoming
acclimated, we swam in the Pecos River
crouching, shivering
in the cold water refreshed and warmed
in shaft of sun, between mountains,

later on, we bought a tiny Buddha at the swap meet
to leave, in the Mountain Sierra
we buy the dharma, some melons to
cool the hot sun
and take off north

we talked of what we shared
love of Art and the open spaces,
Andromeda and hummingbirds, Ellsworth Kelley
and Jasper Johns, the classic and romantic,
talking, winding through the roads ahead

towards, dinosaur bones and UFO sightings
mesa views and the spectacular icon,
El Cerro Pedernal
blue saddle in distance, lightening blasting,
the mythic place

clouds thickening fast and soon to fall--
displaying freshly scrubbed sky, living in a wild
amazing surrounding sky, adobe homes
dot the landscape friendly to the earth,
mud and straw,

porches looking out from
decorated rugs in piles and strewn along fence posts
streaming in breeze
the western dream of romance
driving farther still, through

the beckoning direction
of mesa and colored rocks, we slept
at campground of echoes
echoes of swallows,
bouncing from rocks and

mixing in gurgling water,
we whistled Mozart into the dusk
and it was wondrous
the swallows flit above
in the waning sky

through the Hopi land
we heard the flute winding
into the land and followed,
dissolving sight into soothing
spirit, which time floated

the same spirit designs, bringing it
all into awareness
wind that blows through it all
feeling the eternal
slowness

of a turning center,
the time-lapsed clouds
shadows fleet
over land, black and white
design of a vase

swoosh--

voices of the land,
and Asian influence,
the narrow road connecting
to eternal return and Indian hero journey,
images return

of mountains and falls
of stream and red paint-brush,
flower on mountain meadow
fairy path
Indian way, distance and dust

driving into another time
scattered around, in pieces, fragmenting--

Gallop, New Mexico
is the perverse twistings of one culture
upon another,

a sorry drunken Indian asking--
we were spotted as tourist,
I surprised myself
by letting out a rude reprimand,
I became the sorry one

as I watched him shrink away,
we turned
fast from this town of pawn and aimlessness,
lost without expression, lost pride
with out place,

invisible at the coffee shop,
we sheepishly downed
our enchiladas and coffee,
drifting out
onto the mysterious emptiness

of the winding path, confused,
washing machines on roads and
refrigerators in the cottonwoods
winking in the hot breeze
wrecked cars,

there a painted pony
lovely against the mesa sky
we WERE GOING TO A HOPI DANCE
a corn dance,
dancing for rain

and thanks for what crops were received
Kachinas represented these feelings
and prayed for the life, to continue
a tradition of designs carried their selves
weaving disparate places like Phoenix

and Hotevilla together, no Indian is the same
as I am not, the generalizations of an-- other
do not work, who would be the more spiritual
one? question mark?
I have a stone thrown at me

and a motion tells me to remove
my hat, Gringo with no respect,
the others all shielded from the sun, with umbrellas
and hats, too? I shrug, this is tricky
business but the mesmerizing music, or

rhythm continues, continues and that
is what is important, this art is about
continuing, being something different, and the
same, that stopping-- owning their life
is just their-- just wanting to go on, asking

nothing, before the corrupting addictions
to quell a people full of fear, arriving
we roamed to the rhythm
kicking shards
of dreamed pots at our feet, everywhere

where pots and bones, the procession
arrived in green fir and black grease,
the rhythm produced in the hot sun
a hallucination like
a hand bringing

something forward unseen, coaxing
over and over, the drone of bees, design
brought forward, differing feelings
and fads of the place, the figured spirits,
there, we watched from the roofs

of the tiny rock town, spirit ladders
reaching to the sky, watching
shuffling from foot to foot, captured
there in a time’s bubble,
clouds arriving

and-- looking up with surprise
to passing wind and rain
every one murmuring, the drone
continuing
the brief sprinkle

fleeting into dryness
of desert air, continuance,
the rhythms of sex,
or death, in the
cycle of life, beauty way

the meaning of order,
in a poetry of belonging
to something even larger
than this sacred place
standing apart is not allowed

or could one be capable of--
buried in that dirt I can only glimpse--
I cannot give up this divided life
a hypocrite? thrown stones
reluctantly we leave,

amazed and confused
driving away, to our civilization
and culture, we regretted
our decision, to go
we had been close and needed

to leave, we ever anxious to keep going
on to the next,
off balance a bit, we drove on
hardly stopping through
the tourist laden trading posts

and Arizona, heat, 120' in Blythe
cooling off from journey
in the sun heated aqua bath,
neon light, the setting sun mimic
reflecting dancing cactus and

setting Gulf-- gas sun shape
in tangled telephone lines,
we washed the car and watched teens
hanging out, cruising the strip--
Mom, was closing up the hotel desk,

a towel, around the waist
pacing the movie like, carpeted hotel room
the pool still too hot at 9 PM,
packing in all the ice we could gather
for tomorrow’s trip across the Mojave Desert

the sweltering morning arrived
with the fright of yellow smog mixed, now even
in desert heat, the ever thickening speed
of Los Angeles, felt in ripples
this-- 300 miles away, we tucked away our camping

gear, in our ever more ridiculous van as --
approaching civilization, seemed to liken
the crashing of spaces
of wild county, to spaces of painting--
flat, stop, here!

dreaming rock form
sky and cloud, tree shape
mountain
distance
romantic wish, wish

a place, to write a poem about,
a house, a studio hogan
having no money, the forms
used, of the earth
and scraps, blown through detritus

of civilization
art of garbage, a vehicle for organizing
the shapes of mind, a place to love,
with mountains,
beyond,

beyond that, sea long so long and far away,
to swim-- free
as zooming cigarette boats through
empty desert and boom boxes blare--
in giant treed forest camps.

California Dream, that ocean
once and now, to see it
broken, before realization
California my idea
of an escape from Long Island

transformed
in a similar way,
the word again
AMBIVALENT
destroyed places, ironic Hero

singing of what is left?
American Myths,
off again
on my journey, that is me the HERO
large, inside

arms spread to outside,
Summer Sun, to sing,
deflecting, mocking, stinging--
death, saying no-- I say yes,
got to keep on somehow

making something of the wreckage
I’ve always said yes,
just do it-- swoops,
continuing
the cycle

I slid into the darkened theater,
the movie already begun
my life on the screen, my mean streets
black and glistening, red light-- green
LA cars honking the music,

me, trotting the urban street
reflecting lights, in cowboy boots,
holding coat to throat,
hustling along,
the mythic painter

holding ideas, revolving in the streaming lights,
on my head, the king’s crown,
now remembered,
they’ve created
us and now, they're throwing us away

it seemed a dream
shadows in windows,
across the way
flickering blue, silent
a shadow in the room,

is it a dream? that we were ever alive,
risked our lives for
what we believed and madly--
I KNEW HIM! --the duck man!
even hung out with Jean Michel, flying--
driving up the beach to spend the night

Los Angeles hot and alienating
with no place to rest, whiz--
whizzing, reflecting curves in rear view
its too easy
to go back to the ocean, here

mantra returning

Achilles/ tent
the lagoon
dreaming
the square
the figure
arriving
and waning light,
the leaves
a sound before
the spring
blasting light
and flower
Gregory singing

the villa dazzle
the dying
into space
of fragmented
dream
swoosh
another revolution,
on to another
through the leaves
clouds,
waves

palm of
CALIFORNIA
dream of my youth
western Sierra from 12,000 feet to sloping
golden hills through to coastal range
emptying fog and rain into ocean
lagoons spilling to Pacific wave

out on the point of Conception, solitude,
from suburban town
the ranch horses nosing about,
we were out painting the end of spaces,
emptying out

oil paint smell and satisfying air,
a deer bounding through brush
noisily and is gone,
the wild lights
of sunset and clouds,

the enlarged view from the pines ,
the lagoon
watching, up the coast ,
light struck vanishing points,
mountain view, wild sea and larger Sur,

crashing wave
wind from crisp burnt hills, traveling higher
mountains
crashing falls--
doing all this again and then again,

The Sierra, we got off--
finally, cutting the strings to our lives,
escaping routines, woven
driving that black silent car,
slicing through the night,

we saw the long angle of light
closing on the volcanic cone,
entering the kingdom,
gazing up and onward, climbing
and finally the cool air of mountains--

morning light
climbing the opposite hills,
soon we are gone into that stride,
the march into the hills,
a rich pack on each of our backs,

eager to find what awaited, our test,
around, the familiar blue emerald
of silent curving pine
edged alpine lake,
we hike beyond

to an even deeper blue--
lake we swim, and on
a campsite short of
Donkey Lake behind
another ridge,

a small illegal fire, we fanned
as we made dinner
and entertained
with a celebration
of gin and snow--

the stars where greater,
are always great, and falling
asleep looking to some effect, trying to look
deeper and waking, realizing we’d fallen
to sleep, now, the moon

is up and I glimpse the Great Square,
too bright now to see, the swirl
of Andromeda,

on to Donkey Lake,
not any thing special beyond
what we’d seen, ha!
what a categorical remark!
This was a trip for extremes

and Baboon Lake our destination,
would fulfill, expectations,
Amazing!
beyond anything we’d ever seen,
greens, blues, wow, a real fairy land

of Indian paintbrush,
yellow, red, and purple, back lit glowing
orange- red psychedelic,
the alpine reflections
and variations

in green and blue in waters reflecting all of it,
we-- our mouths
a ga-- a,
tired, we trudged on lightened,
I was going to paint--

the trip-- I promised my self,
and for some reason, every thing is in the way
Oh, well,
I grumped,
I grumped,

I suppose this is not going leave me,
these growing frustrations
etching my life now,
“that’s life-- stuff”
distance between myself and reality

and the mountain beauty is right, there--
through the stinging of mosquitoes and effort,
dinner never tasted so good,
those mountains, saw-toothed and surrounding
curtains of changing light

hard won, the panoramic view,
gazing from this sheltered bedroom of arched pine,
dozing off easily, awakening to buzzing,
bitten face exposed,
peeking out

to stars,
the band of sun light rising,
slowly up the peaks-- I hear the chatter of an
hummingbird sipping purple in blue shade and
the early light,

flitting away, chipmunks scolding,
scampering under rocks
returning call or chink, a funny antic,
chipmunk and bird,
morning cartoons, at Hungry Packer

hiking to check
the overlooking view,
something even now itches
and a sullen reality pervades
everything is work and hardly

a moment to see, unencumbered
the cold, the extremes of heat,
mosquitoes, always something, out here,
separating from
that object

of fancy,
I just want to walk
along free and easy
make a water color, being the hero,
ha! the hero

what the hell has gotten in to you!
seeing the growing holes in my mythic yarn--
immune to mosquito,
reciting poetry at mountain high,

rehearsing the drama,

of flowers and birds
and animals, all that made the place,
the place, remote in my head, making
the exotic flavor
the remove, distant, compelling

the boozy anxiety,
wanting that drunkenness and distancing,
I feel in chains, not free, I want to string prayer
flags and chimes, meditating Buddha style, be
the figure in the falls, go back to those flowers,

want it all to work, be in control
higher yet,
feeling free beyond
all the necessity’s of this extreme place, a fantasy,
I make fantasy, I’m sad to think all this, I want--

want, so much to share
with the others, the experience
then I’m
caught, in my own fantastic romantic
head, alone

we pushed on, on to the cull, to look over,
like gods beyond,
we felt we could see, to the sea,
It is really a hike and finally it eludes our capture
the height, yet to go,

but we walked through to glacial snow
and drank in glacial ice
greenest aqua, ice
frozen icebergs of strange formation and
stood arms out

stretched at longest spaces ever beyond,

yes, beyond and humbled, said so
happy finally, to be safe and back to
camp we laughed, and I said I was sorry
for my moody behavior, we be far away, we
were far, where lakes had no

names, #1043, #1049,
awaking on our last day,
looking for a crook to take a crap--scanning
marmot material in pinecone scraps
like fallen teeth-- over looking

all the view, backed to a small fir,
and the soft needles at foot, insects
still biting my ass, reading a pine and the view
below, another verse,
watching the ever creeping light,

were we’d come from and where we’d go
that was far away,
I was the mythy mountain man
that I had made all these painting-- but
I was a tourist

I was still so far away
relating to the view
from the real experience mastering it,
I was a tourist
and angry, away from home

knowing, owning-- wanting this
all to be mine,
my spirit constrained, held hostage
by the artificial feeling,
the bottled up spirit

still
eating at me, I’m on my way back home,
I some how am leaving something undone,
unrealized, my story needing
other characters?

beyond myself? others--
no story, just this obsessive going on
calendar scenery, turning gray,
ocean fog cold damp,
a chill

and saw nothing,
sped along everywhere
fog and smoke of wild fire
obscuring the largest space,
falling into it

and I driving on edge
of sickening boredom,
oh, I fear this most
that, I could tire of it all this
a figure comes fore,

that nude, the representing goddess
in Art, of nature,
taunting me that I’d wasted it, My Life
height of ordering figures, sought
being involved, truely part

but my affair, the places-- running aloof
through distance
the figures elude me
they walk beyond me
the humanity of joining--

through distance
from the landscape
from the figure
in the landscape
from relationship

speeding now
through Deep Springs, Nevada
into Vegas orbit, center of vice
suicide city, thoughts burn
matters are spinning out of control,


into alienation
furies and harpies
taunt, hot wind,
burning sun
good-bye to coreopsis

silhouetted,
my fancy, arms and
headless,
men and strip-ped legs
turquoise sea wind

whipped sun
reflecting, fog creeping
around peaks, salt spray stinging
something is not right, something in
a bind

some thing in the machinery,
I’m afraid I’m wrong
all this for naught,
that my life is not worth it
meaning less


driving beyond
self to solipsistic
disconnection --death haunted
creating perverse drive, the songs pulling me
to the rocks

to dash head, to--
the herons
the herons

in the dusk’s--
last light,
scream

returning, beaks aimed at sky in dueling,
stance and dance,
the powerless,
to gain
power over, lust

I began with that old fashioned
belief still blanketing us,
given as GOD
and now I am alone
she said, “I’d be an unhappy...”

the knowledge, beyond right or wrong,
ahead of myself, lost here
suffering, that-- I am,
evenings of rambling disconnection
going nowhere,

Glacier Point was clouded,
rock shrouded, unseen
forest fires raging out of control,
amazing clouds of white-yellow
fire-smoke,

wanting to get out of here, this beauty,
a torture, my soul
turned ugly, out of order
can’t see for the smoke,
its all gone to hell,

shivering through the nights,
I should be happy, as I was on a track
writing this simple poem seemed enough--
what’s happening, maybe
I should pray?

to Shiva, Vishnu,
Christ
in sandals
Mo --hamm-- head
Hamlet, falling

what of my Tanager?
the green bug ?
the highest pine?
the blue jays--
BAD FAITH

chattering
listening to trees falling
deer surprising me, in thought
painting
the overlooking view

the trees
will save me
look deeper
the trees
the trees, that silent deer’s

eyes, reaching for stars
dark brown, green-black
against blue-purple sky
smatter of white gray nebulae
a bat that flips

across the space between
let me believe
the saint, the hero
the sun, the bird
everything extending

below
revolving orders, leading me through
trekking through this
Chinese blue screen
smoke filled air

I got out of the car--
different view,
a bird, up close in binocular
vision, Nuthatch chattering,
I saw the magic glint

of its eye
no one else here to see, alone
with the mystery, maybe an
elemental glimpse
at my self, a moments peace

as I trudge on, I had to go
that was a good thing, that bird,
watching me, looking back--
I’m traveling on,
still too nervous to reflect

on through the desert,

leaving all safety behind--
the desert
magnifying one’s life,
the barrenness, fragility
one to one,

good bye, I loved you, LIFE, all connection
I am gone
Odysseus dismembered
hero fallen from high to low
No-body-- No-thing--

torn to pieces, divided
winding through hills of silence, tears,
well up behind headache,
looking back to the valley,
the green patch

out there on the floor, passing by,
the dark desire for the mother,
that oceanic feeling
winding over rocky mountain passes
gnarly forms that twist one’s insides, mirroring

inner, rock
into mud, ground contorting thoughts,
of guilt and shame
together back again,
rising to surface

advancing age, facing
them thinking I’m unafraid, what do they mean?
the animal greed approaches as jackle-coyote,
hungering, reptilian mind,
ripping skin in jaws, shaking off

the bits of marbled flesh,
chomped off mechanically
like in a Japanese Sci Fi movie,
the fur trimmed women attacking naked men,
raw scraping feeling

rocky Nevada center of junk
and arid mind, dancing tits and ass,
a disgust blinds me,
between naked and nude
this culture-- and the nature

I now run from
all good sense gone, racing through--
bird eye, Indian design of skies,
nebulae of darkness, hardest wooden
search and yearning desire,

Oh! for a cool shade of mind,
a cotton wood,
void of these sticky knats, the sequins ahead
into glitter coyote joke,
slouching

through, atomic bomb blasting,
salt desert
self creating--
eternal, self destroying
heat shimmering

the electric clouds,
above glass mountain
mirage and boom,
the streak of vapor jet,
sky and inner depths, spiraling, cracked

to hard frontal pattern, here, clap!
of hands, now, the surface--
I’ve been speaking of
the objective truth of the Katchina’s face,
color outlined in black,

shaman test for extreme of mind,
masking, every day routine
haunting smile enraged--
driving Hwy. 95,
Vegas sky, barreling

some where, flying low,
at someone,
rabbit brush, mesquite,
creosote, prickly crunching soil,
clouds mounting to clouds

and thunderhead, dry heat and shower
plunging to steamy ground,
sweet Desert smell, my life
swung wildly from side to side,
now parallel lines converging,

central being--
throbbing, beat,
the driving force-- bursting, shaking free,
where love and death are one
the cycle,

sacred cycle
the inside out, flung wide
speeding on through crystal,
bug eye, goose bump
horror, stark reality

to feel, to satisfy,
the heat drying numbness,
of being,
negative value
the sucking of mute moisture,

pressing upon unquenched desire,
to rubbed lip-- bruised
and bleeding through,
chest torn open
parting, slippery and panting

sweat
removed embrace, no love,
crying deeper, --no love
alien connection, put off,
bursting

gush, through --to the road
ah, the road ahead
La Strada, free! YES!
some flavor returning --
tramping tune,

leaving behind the want
and forward the clarity’s
arrival, the Hero returning,
twirling order remembered from above
the transcendence

the road,
the journey, there
some music remembered,
to accompany a brute fool and
darling waif,

the sad eyes and funny hat
glimpsing across a gulf,
still, still disappointed and, OH still--
wanting to destroy
black looks

still, the helmeted thoughts
clang-- waitress of desire
that blood rich want, on tip toe thrust
and through
the collapsing house

the atomic shock,
the cards blown away
the hearts, diamonds
spade-- blasted, shot through
tumbling

reflections of
softening hills
a view
from here
seeing out

unsure, --nagging head,
traveling north and east
across paradise of freedom
in space and light,
yes finally free of--

there the yellow brush,
yes the greens and red of land,
a cloud hovering reflects,
the red reality of earth ,
the blue holy mountain on horizon,

unfolding
beauty,
as the Hopi way
this lush green, of Navaho land
clouds rushing overhead, showers

here, there, shadows rush over ground
dark and lights,
picking over hills and mesa
a group of sheep and goats,
tin-like bells through camp

the drama in place,
renews my spirit,
spirit-walker
in this soulshift
and I finally make a few paintings,


the death of God
is as long and as slow as Nature
the feeling of going back
out driving, stop--
and bomb off again

with dissatisfaction, eyeing the Vogue
magazine, reminder of what one doesn’t have,
doesn’t need
the drugs of want, the urban desire
pumped up sophistication, naiveté long gone

a habit, life long junky
New York Fashion, need to know,
obsessive want, to see the new,
even in this amazing beauty
want of the other, having lost

the sense of the one, revolving
the hero in space
reality, the order
fragmented by desires
beyond the land

artificial want
and created need
the Crispin, simple fellow
turned to carouser, merry go round
of Motel chronicle, turning

of evil desire,
lust learned and unsatisfied,

manufactured want to destroy
I need to go back and put it all
together, tattered pieces

the strewn flowers
in the fields
saintly ways,
stepping out
mind of hero

journey
following bliss, reforming
the ordering, my way,
connecting, making a story
record repeat,

this underside--
has minimal play
fades, ROAD MOVIE
empty fad
evil monster

always there to slay,
myself and free
to be-- to fill
and show or name
the ordering

retelling the story
Oh, feeling
all is lost, I barrel through Texas --
I got lost,
Zero here--

these complicated feelings,
of aborted plan,
artists with no kids,
loosing our paintings in
changing weather, out of kilter

with world, out there
our own home,
maybe, need to make a home--
have I lost the poem?
it was a simple--

a simple want, a place to sit to look
at the painting, sit on the small porch
reading the poem, we all have our poem,
intertwined with the place, the revolving
order, natural orders

of sun up and down, place and figure
revolving, encroached upon by urban
need, desire, subverting beauty
here it goes again!
continuing cycle,

trying to find the handle
to grasp again, ending in a twist
of fated ruin, in a secular world,
lost from the sacred
story, degeneration into realism

of lust and want, shopping the mall
cruising the strip, drunk and sexed
elevating back or on
through the hours
to dreams and myth,

the bird’s glint--
it works amazingly, the thought
love is on this plane,
and lust tears it away,
beauty out of order

the pictures build, to human form
separating and making, this figure in the landscape
this Ideal, stings?
the sacred falling to the profane?
another cycle--

the fictions to caress
in painting, another poem?
of how my simple dreams
turned
to degeneration

they wanted what would succor them
NOW
moment to moment--
could not see beyond
what poetry was

what art had been
they couldn’t imagine
and I was forgetting
my WESTERN JAUNT
frenzied furied intoxication

searching death
how can I drive in this frenzy--
an accident ahead
glimpsing the lowly hills
of Texas and cruising down

into suburban sprawl

of the east, the light fails ,
the faint night lit, lost bird glint--
the 7 11 sign,
no one there
blinking in the night

urban
Arcturus.

1996 Road Movie Back East Part 6






keeping on
against my feelings, this story of self--
inside job, what one speaks to one’s self about
writing the road, the contemporary story,
Natural-born Killers,

way out-- mixed signals, this circuitous quest
and Lost Highway,
run down into the dirt,
reaching to height,
I do not want to die here,
that the world’s way is one way

and I go so far, but I have my own--
idea of soul, to satisfy
bathed in this space,
and this moving picture, an affair of places, I feel
as though I am going to die--

always going to die, that’s it!
like this lump in my throat, feels like fatal disease
traveling on towards home, through Louisiana rain,
Alabama rain, through the southern humidity,
towards home grasping for the rock of home

dashed upon--wave after wave
remembering the yellow rabbit
brush, blue sky, green against red, earth
of New Mexico design, brings me back
coloring the place, already

but now, I’m driving highway culture,
East, now and I NEED TO PEE
I have to begin the search, losing the freedom
relying on Burger King--
I’ll be happy-- to see, my old friends,

I miss, but then the doubts, I’m so out of it,
out there, here, the
tightening spaces
make obvious the social ills
having become the life,

of the east,
the built upon built,
upon tension of--
the power politics involved,
becoming savvy in this Art,

the painting’s sensuality, so old fashioned
in that we don’t have the depth
for those big paintings any more
and the fashion changes to small,
“A Good Thing,” they say

the profane world is the subject
what we can see, that’s trouble enough
forgetting that inner space
although it is obvious
that it is becoming the only space

left, the new West the reaches
of the Romantic inner distance,
the debased art, the empty church
everything for sale,
in the what’s new

next economy, picking through for Poetry,
“negotiating rapture” I’ve heard it said
beyond innocent transcendental reach,
my poem repeats ,
un- original thought

if this was all there was, I’d end the poem here--
in desperation
add glamour to that dispare
never seen reality, the ordered poem
what Long Island had been

looking for new poem, to keep going,
flipping through the fashion magazines,
having replaced art becoming the art,
next thing,
down runway,

keeping on, stacks of new names
new places, next place
never new, for long
used, on-- on,
pass-- pass

but I keep on, wanting to be part
of, maybe, I had
escaped that feeling of failure,
leaving last year, the reticence, to come back
and maybe that was the failure of my trip

back, and black
cloud on my head, traveling along with me
my poem dispelled the clouds
and still does when I have it there
in front of me, and that’s a success,

the poetry soothed me,
I'm supposed to be beyond, the mildew
and deepening
snow, the snow man
to whom things speak

and nothing myself beholds, the nothing
that is not there
and the nothing that is, nature and nothing,
me to nothing
death and change,

my smallest creation,
I revel in this, change--
the same bare place, becoming
transparent eyeball, I am nothing
I see all, this crystal death

the loneliest air, not less was myself,
the compass of that sea
tossed about
beyond what I can stand,
these are the words that save!

defeat into victory, I go on, I was the world
in which I walked
I found myself more true,
more strange, beheld
her solitary there,

for there she sang, innocence
the maidens song, could have
no ending
I sing beyond
what transcendence, wholly critic

body wholly body
fluttering,
empty sleeves,
constant cry,
the old mother--

what is this spirit?
for it was the spirit
that we sought--
and knew, content to know
our element, is of ice,

a wintry air sighs for me,
night wind,
shouts for me loudly
Dazzling and tremendous,
how quick,

now and always, the sunrise
would kill me, if I could not
now and always
send it from out, from me
the sea

a power
over the sea
the poem
a forever cycling power of the mind
over a universe of death

the blank, blocks the new world,
the poets mind
over death,
it was her voice,
that made the sky

acutest, at it's vanishing,
beauty, Oh, blessed rage
the order, the maker's rage, for assembly
the scholar of one candle,
he opens the door, (the reduction fails)

and he feels afraid,
roads not taken,
packing the things, that last, to succor
the mind, remember, go over, again
another round about cycle

ordering, the possible, the damage,
the toll taken, building back
the leaves
the waves-- through the sand castle
the voyage slipping, clouds

anastazi texture--
surfaces manipulated
remembered, to give clue
to this world I make of
life, through dream,

keeping on
don't let it fail, keep on,
follow the simple unending dream
of that new world, follow
the round, the wheels turning

eternal scene
the mountain’s peaks
stepping from summit
exhilarating crown!
up once more, to greet the day

poem of the mountain Sierra, the Joshua Tree desert,
of the Ocean Pacific
in the New York winter, the library
--keeping big, making
life, flaking from my eyes

the mountains
the jays
that rare tanager
flashing--
Buddha mountains
no-thing
sno-thing
blue haze
becoming

the phone rings, what do I want
to hear? “you, need me” but a recorded
advertisement of our entangled world,
fighting to stay, Oh, I’m off--
into the palms, the flash

before my eyes, the eyes
on the street, the fear they display,
anger, the fear, music pounding,
the insanity, copying
the reality, what myth--

reality copying reality,
swerve and dream changes--
reality imagination,
so, far away, the ringing of
the phone, death unanswered

wrong end of telescope, no one there
an empty fifth
blank--
I reject this,
I chose life,

looking forward to the new shows
happening this year
walking
through Corot,
after brutal reality-- of the old loft

at least the trucks are not rumbling
--here in this tiny apartment,
even some sunlight,
quiet, becoming resigned,
still older

trying to feel the dream,
spreading in the sun
when I’M STOPPED, I die,
the money came and I’m off
into the REVERIE,

thrilled beyond belief, to be alive,
greeting the dawn,
come with me, I’m full of it!
Achilles to Crispin,
into a classic space

to modern cartoon, Davey Crockett,
raccoon hat, into the hills,
Hopi way
must, keep up
the Indian design,

the flute drifting through crystal space,
unending, wind of my soul,
of our souls
walking in beauty
broken pieces

in my eye
the Hopi way
the mystery of that eye
high up in the wood
glinting-

alive
my own-- clearing
to see-- choosing sight
keep on with dream
I’m off--

before the sweeping tide of reality
the politic of resenting
belief,
against the desert
that oldest self, before an even older god
the aesthetic dignity, a covering angel

of the terrible beauty
NECESSITY
I stopped, once--
twice, the bird
I saw an eternity

in both
stops
in the music, that eye,
the bird, I thought it watched, me--
cocked its head

I trying to understand? it flew
through the stream of sun
paint flooding through,
a rhythm of mantra
revolving

woven varied design, blown apart,
the center will not hold,
over again, never quite right,
shards of
Indian way,

each year it was harder to make the painting
that would lift one out of despair,
de Kooning was the one to beat
skating along in a heaven,
color and light,

playing out the line
the shards
fly
across gray
ground of being, making

shape bright,
the same light, or the light
of a explosive sunset, going,
abstracted figures
see the shapes formed,

to see again, happy day,
clouds skipping
across the sky
1st order, clarity, height of order
kaleidoscope of color,

chosen out of desire
set against this desperation,
heaving its breast in the corner,
the echo
of the original bang, the desert air,

the trailer door
flies open in the breeze,
unending, gods outside,
of oneself
the eye, I search for,
I see myself

besides this mess of words,
they won’t save me
decorated with war, seeing beauty,
the hero bluest
another revolution,

the leaves, the empty chapel
a flurry of feathers
in the yellow light
laundry, the five flights of steps,
a paper,

the coffee, the studio,
a friends dance party,
lunch,
gesso the new canvas,
the news, dinner,

bed,
TV, Charlie Rose--
Oh, the OPEN ROAD
ahead, hold on to that dream,
I read my poem,
defending self

apology for,
afraid to see who I’m addressing--
and the words just fell like lead
or flew like fluff
what I loved,
FELT at what I saw

on my deathbed,
Giotto’s blue
the HERO, keeping on
I have my paintings,
life, ‘...aimed at my family

like weapons!’ I heard myself,
telling a friend
one evening,
I’m right, you’re wrong,
no shading of intelligent life,

sounding like my father
after all this
our innocence in Pennsylvania,
dreams of Eden, of ideal lives, chipped away
economically and then rocked by sickness
and death, scattering us all

into our guarded beliefs,
I started, to see the drift
into a narrative like reality, of confession
of what mistakes,
of what I'd better do now

our time not strong enough
to produce another
Benton mural, laughable, you say
and in desperation
I cling to such a laugh--

Disney forms, approach art
recipes for strange concoctions,
urging unseen fiction
or myths, turning,
cultural adventure,

setting off
once more
the Bridge,
high on tip toe
on to the es--studio! there the work

of the WORLD, to be done,
set beside EARTH
--to keep ones feet planted
within the place, revolved,
telling some story

yet unclear. the Indian (ME)
native us all, American,
beauty in the face of death,
night and day,
revolving a mantra

the colors, the shapes, and line
the different shapes these fragments
thoughts come in relation
perspective, context, changing
light

--now, swerve
the hero reaching, from inside,
sights on distance
coming together, crashing loud,
sound and push

world
of time
revolving
time beyond
keeping on
turning, telling
who we are
or can be
or should be
or-
this circus juggler
in sun
and wind
red and yellow
diamonded

shatter the present
scattering
souls
explorers
in spirits light above--

exorcised
to go on--
cure of
the disappointments

keeping the dream,

the sun
the wind
in the face
the great distance.


1997 Brooken Beauty ...another round part 1






“ ...Odysseus’... ever present
solitude and loss
the copious uncomforting tears--
Again and again
his journeys,

the struggle, against temptations
to cease struggling
sinking into an exotic
drugged oblivion
listening,

the Sirens
passing lotus eaters
the real danger
to find
contentment in

non human forgetfulness
dangers over come
finally and painfully
as he reconstitutes
his social role

father, husband, and son, King
One does not always like--
nobility mixed
with dissemblance,
gentleness mixed

with ruthless fury,
but one always recognizes him.”
muses echo, the song of this quester’s
swerving twists and turns,
something is slipping away

something is beginning
repetitions, another to depression
can this search be continued,
this artist thing--
maybe this is the end

the time to leave, quit--
CA plates on the van,
looking for a job
the old outa fashion painter,
feeling the clown

needing a change, ready to leave
spiraling from dark to light,
return to nature, the origins
of so much we think
the sun goes up, the sun comes down

searching--
for revitalization, returning cycle,
caught up in, culture copying culture
even to a tracing of a memory--
are we that distant from any tradition?

that close, to modern?
to be post-- anything?
again each year
the proportions of mock epic,
the over the hill artist

shot dead, not knowing--
keeping on
revision of romantic idea,
out of reach, abstract--
symbol, along side

narrative storied building,
toward same symboled height--
and falling once, again
in distance from nature
back, to a re-- dreaming--

a new
nature-- there culture is seeing,
but the continuing change--
all death
of moments saved

by painting them--
preserving
the wonder we face, life
a painting seen on ones last bed
the pictures whirl-- past,

fading colors through reeds
the sunflowers,
by their repetition, comic--
brown, now, tragic stripes
the bread and the wine--

toppled still-life
unrealized, blank
dark now
inner form,
emerges

the striped torso
flying,
over broken
ideal,
BEAUTY, in this cycle

that Kiefer show was the best
a real excitement
in the air, 1984, Rene was there,
we went to Roy’s after ward
never stopping a fevered chant,

looking at Fra Angelica
so authentic we thought, the other books strewn
across the floor and Julian ambition --
It was what I saw, thought I could --
the interior world figured

as Sublime
from the physically abstract, before us
yet beyond touch
but then, that other rivulet
of Corot at the museum

outside, painting the sincerity,
if there was any other the concept
was somehow there in fever,
beyond a moral of after-death
death was contained

there, the whole fear, right here!
seeing NOW, the change-- being now
he painted from outside in
we began inside, struggling out,
the inner self

is the self of outer freedom,
gazing upon a classical
ideal that must be broken,
we see the busted world
revolving to Apocalypse-- signifying nothing

all part of our creation of romantic
tattooed pose
pierced ear, depth in scarred brow
our Apocalypse now-- come
we are torn, flung in paint

pushed to recreate the surface,
of our continuing
modern art
held up, to stand in
for the lost

depth, we feared
to penetrate, was too simple
just nothing there
in that space, losing our selves
from this mythic place,

now 2001, looking old
and tattered
and the end still far and Walt--
an end for every beginning,
alone-- with others,

to use us as pawns
critics to make their worlds
each of us only a piece?
of a world? mosaic they say, pigeon holed,
in his place, playing one part only

NO, I want to play all the parts at once
spoiled child and withdrawn from the game--
idle conversation bores
great voices showing direction!
-- each in democratic depth

modern mediocrity
to be, hung revolving
all the broken pieces
in lowest common denominators
but look the sun shines on us all

of sun,
figures in leaves
blown
face
of the night

all revolving,
the planets
out the window

I’m in the library, the first snow
on the ground,
drawing, drawing, obsessive drawings
trace these drawings?
loosen the landscape of reality

or photographic fact?
experience lost to abstract head?
but what is art?
experience lost only to be saved
I write it is already gone,

but I write to get by
and the narrative
still haunts
the western story
out there, out there

my romance
and just plain painting in the landscape
no old lady’s Sunday feat,
heroic keeper of some light,
sees the Sun for the first time

fast-- colorful, POP!
short even line
no character involved,
turns to twilight,
depth and shade

lost in the reeds,
colder
sun going down
green
pop
against
oranging

sky before
last gasp
the falls
blasted tree,
rock--
out stretched arms,

”my brooken beauty”

the sea wave
continues
ripple rip
the wind blows
the clouds,
the leaves
swing low
skitter and swoosh
the paintings line up

fragment
and blown away
sand on the beach
exposing
a new idea,
morning

a line makes a shape, to color,
the ‘note’ one reaches for,
drawing at Paul’s in that old brown loft
still thinking,
I might go further

a wonder, seeing
the shapes he comes up with
beyond all of our reach,
beyond skill level
what I recognized as the supreme feat

to abstract the human shape to represent
in that shape and simplicity, the depth
of so many aspects, this is the poetry
that Greek sculpture, made a world
from the human shape

a perspective never toppled
that simple but all encompassing need
divine convention as tradition,
I draw over and over,
change ever so slowly

through the shapes of Polykleitos
Raphael to Ingres,
Manet into Picasso, but
a different world, now
must I be without? I grow tired
of the copy

this second order disconnected
from first order reality,
original
Drawing now a tracing
of what’s already there

a depth in slowing and then speeding line
another dimension beyond present
rightness of any, one, perceived reality
Achilles reaching to Blue Man
Crispin in the sun

ideal and
Crispin falling--
Charlie Bum under concrete overpass
hitching to Gallop
snuggling lost waif

tears running through
glittered cheek, “my brooken beauty”
the soul-- striped, the figure
brought forward,
in idea striped, BANG! and now

dies, Oh!
try harder the ideas, the reality sought
against the ground,
(nature) blank, space of death,
memory-- what’s broken--

a hand, spot of flesh, figure of
crooked shape, the wind
a far off, waterfall spilling
silent-- yet continuing through
blackened space

to wildflower glow of back lit sun
and narrative builds and breaks
bird of great height
west of dream, this imagination
a god flies unconcerned

power suit, joker, King
coyote warrior,
blue man mind,
artist poet
the critical, bummer queen

cool princess, corrupting force
culture’s fashion, whore
the natural nude in
sun warm, truth as nature
OUT THERE

the whole cycle
muse in sun and naked flesh
the paintings revolving
through night
returning flower

hero in the sun
fading
dream
to blank
figure striped, there holding truth

beauty in order and idea
come forward,
recognition in the sun
steps out from the ground
reaching from nature to cultural height

the repeated shapes, declare an end?
walking around
down turn
the old dark bars,
I had stepped from

that proud darkness into a braver light--
had I failed?
I’m so far from now,
looking-- for connection
they’re all gone-- one went west

should I plant the,
sunflowers?
the dirt is frozen and barren
besides it’s January,
here in the city

then after the end
beyond the land
out painting the sky, that feeling
this is it, why did I stop?
a stay against, the ongoing wind

“The red square is the heart of misery,”
I didn’t hear him-- Allen died this spring
working on the new paintings,
thinking about a figure painting
that flies-- part of the abstraction,

Tiepelo at the Metropolitan, gods with earth
and sun revolving,
Grand Style, we have Versace
fashion symbol, on the Miami scene
symbol, falls to realism and want

tumbling over and over
Can’t I see who I am by now?
why go on breaking myself
to newer shape, we want a deeper
shape, art and culture, fashion so--

sophisticated-- culture as art,
Crispin left Art
a bum for what he loves
himself an idea, the hero
in the sun shine

extreme
I want to go to the sea
take me back to the sea
a surface style
wallpaper

the surface we loved
fast, abstracted
without worrisome--
depth to shards,
to broken pieces covering the ground

ruins of the sacred truth
scattered stones
in the sun
the crumbling tower
I can’t go on

I will go on
sea wave
celebrating cycle
whisper to lightening day
Pop! in the sun, surface to inner

murmuring
the painter’s master, nature
nature as muse, nature always
death, death, death
the whisper

“I am nature”
and respectful representation,
I am dumb in front of--
the blasted fragment,
the continued story

the pieces of narrative
blue bird
red bird
pine trees and falls
arms wide spread,

Hero
falling shape
beauty’s order
to love
becoming familiar place

something made of it--
an elite love
developing, entangling
forest, Crispin remains
the cardboard image,

fallen from cycle
Buddha form to narrative
hell,
meandering
lost without depth

loving the modern,
flat confused order
of profane interest
seeking another form
to climb